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startwithsunset:

Century Magazine - Midsummer Holiday Number - New York
 - Louis John Rhead (1857 – 1926)

startwithsunset:

Century Magazine - Midsummer Holiday Number - New York

 - Louis John Rhead (1857 – 1926)

(via brassoctopus)

aniratakr:

Emilie Flöge.

(via ravengoodwoman)

fleurdulys:

Girl with Blue Veil - Gustav Klimt
1902

fleurdulys:

Girl with Blue Veil - Gustav Klimt

1902

(via hoodoothatvoodoo)

fuckyeahvintageillustration:

Postcard design for the month June by Alphonse Mucha.
Source

fuckyeahvintageillustration:

Postcard design for the month June by Alphonse Mucha.

Source

(via hoodoothatvoodoo)

hoodoothatvoodoo:

Eugène Grasset
‘June’ from Calendar-La Belle Jardinière
1896

hoodoothatvoodoo:

Eugène Grasset

‘June’ from Calendar-La Belle Jardinière

1896

venusmilk:

Erwin Puchinger (1875- 1944)
(source)

venusmilk:

Erwin Puchinger (1875- 1944)

(source)

omgthatdress:

Brooch
1890s
Christie’s

omgthatdress:

Brooch

1890s

Christie’s

(via golden-trash)

cavetocanvas:

Georges le Feure, The Absinthe Drinker

In Le buveur d’absinthe, a young man ponders the invisible near distance whilst in front of him sits a glass of absinthe. The powerful allure of this greenish liquor was almost mythical at the time. While many associated it with a life of debauchery and vice, many artists and poets of the nineteenth century were under the spell of the powerful green potion. Oscar Wilde once proclaimed ‘Absinthe has a wonderful colour, green. A glass of absinthe is as poetical as anything in the world. What difference is there between a glass of absinthe and a sunset?’. The intoxication and ill-effects of absinth consumption were depicted by artists such as Degas, Toulouse-Lautrec, Van Gogh, Raffaelli and Beraud among others. Whilst novelists such as Emile Zola and the Goncourt brothers approached the subject by telling tales of working class women descending into alcoholism, de Feure’s placement of a glass of absinthe in front of his sitter clearly singles him out as an upper class dandy.Georges de Feure was instrumental in the creation of the Art Nouveau style in France. A multi-talented, versatile and creative artist, his creations ranged from Symbolist paintings, lithographs and posters to Art Deco furniture, frames, carpets and glassware. He created ballets for Ravel and Debussy, designed theatrical costumes and stage sets and even constructed aeroplanes. (via)

cavetocanvas:

Georges le Feure, The Absinthe Drinker

In Le buveur d’absinthe, a young man ponders the invisible near distance whilst in front of him sits a glass of absinthe. The powerful allure of this greenish liquor was almost mythical at the time. While many associated it with a life of debauchery and vice, many artists and poets of the nineteenth century were under the spell of the powerful green potion. Oscar Wilde once proclaimed ‘Absinthe has a wonderful colour, green. A glass of absinthe is as poetical as anything in the world. What difference is there between a glass of absinthe and a sunset?’. The intoxication and ill-effects of absinth consumption were depicted by artists such as Degas, Toulouse-Lautrec, Van Gogh, Raffaelli and Beraud among others. Whilst novelists such as Emile Zola and the Goncourt brothers approached the subject by telling tales of working class women descending into alcoholism, de Feure’s placement of a glass of absinthe in front of his sitter clearly singles him out as an upper class dandy.

Georges de Feure was instrumental in the creation of the Art Nouveau style in France. A multi-talented, versatile and creative artist, his creations ranged from Symbolist paintings, lithographs and posters to Art Deco furniture, frames, carpets and glassware. He created ballets for Ravel and Debussy, designed theatrical costumes and stage sets and even constructed aeroplanes. (via)

(via thedelegatefromperu)

moosickles:

Honeysuckle, Eugene Grasset, 1896. Art Nouveau Movement.

moosickles:

HoneysuckleEugene Grasset, 1896. Art Nouveau Movement.

(via golden-trash)

startwithsunset:

Century Magazine - Midsummer Holiday Number - New York
 - Louis John Rhead (1857 – 1926)

startwithsunset:

Century Magazine - Midsummer Holiday Number - New York

 - Louis John Rhead (1857 – 1926)

(via brassoctopus)

aniratakr:

Emilie Flöge.

(via ravengoodwoman)

fleurdulys:

Girl with Blue Veil - Gustav Klimt
1902

fleurdulys:

Girl with Blue Veil - Gustav Klimt

1902

(via hoodoothatvoodoo)

saveflowers1:

Art by Florence Harrison.

saveflowers1:

Art by Florence Harrison.

(via hoodoothatvoodoo)

historiceyes:

Prophetess1896Alphonse Mucha

historiceyes:

Prophetess
1896
Alphonse Mucha

(Source: une-oeuvre, via fuckyeahalphonsemucha)

fuckyeahvintageillustration:

Postcard design for the month June by Alphonse Mucha.
Source

fuckyeahvintageillustration:

Postcard design for the month June by Alphonse Mucha.

Source

(via hoodoothatvoodoo)

hoodoothatvoodoo:

Eugène Grasset
‘June’ from Calendar-La Belle Jardinière
1896

hoodoothatvoodoo:

Eugène Grasset

‘June’ from Calendar-La Belle Jardinière

1896

venusmilk:

Erwin Puchinger (1875- 1944)
(source)

venusmilk:

Erwin Puchinger (1875- 1944)

(source)

omgthatdress:

Brooch
1890s
Christie’s

omgthatdress:

Brooch

1890s

Christie’s

(via golden-trash)

cavetocanvas:

Georges de Feure, Interieur Moderne, 1900

cavetocanvas:

Georges de Feure, Interieur Moderne, 1900

cavetocanvas:

Georges le Feure, The Absinthe Drinker

In Le buveur d’absinthe, a young man ponders the invisible near distance whilst in front of him sits a glass of absinthe. The powerful allure of this greenish liquor was almost mythical at the time. While many associated it with a life of debauchery and vice, many artists and poets of the nineteenth century were under the spell of the powerful green potion. Oscar Wilde once proclaimed ‘Absinthe has a wonderful colour, green. A glass of absinthe is as poetical as anything in the world. What difference is there between a glass of absinthe and a sunset?’. The intoxication and ill-effects of absinth consumption were depicted by artists such as Degas, Toulouse-Lautrec, Van Gogh, Raffaelli and Beraud among others. Whilst novelists such as Emile Zola and the Goncourt brothers approached the subject by telling tales of working class women descending into alcoholism, de Feure’s placement of a glass of absinthe in front of his sitter clearly singles him out as an upper class dandy.Georges de Feure was instrumental in the creation of the Art Nouveau style in France. A multi-talented, versatile and creative artist, his creations ranged from Symbolist paintings, lithographs and posters to Art Deco furniture, frames, carpets and glassware. He created ballets for Ravel and Debussy, designed theatrical costumes and stage sets and even constructed aeroplanes. (via)

cavetocanvas:

Georges le Feure, The Absinthe Drinker

In Le buveur d’absinthe, a young man ponders the invisible near distance whilst in front of him sits a glass of absinthe. The powerful allure of this greenish liquor was almost mythical at the time. While many associated it with a life of debauchery and vice, many artists and poets of the nineteenth century were under the spell of the powerful green potion. Oscar Wilde once proclaimed ‘Absinthe has a wonderful colour, green. A glass of absinthe is as poetical as anything in the world. What difference is there between a glass of absinthe and a sunset?’. The intoxication and ill-effects of absinth consumption were depicted by artists such as Degas, Toulouse-Lautrec, Van Gogh, Raffaelli and Beraud among others. Whilst novelists such as Emile Zola and the Goncourt brothers approached the subject by telling tales of working class women descending into alcoholism, de Feure’s placement of a glass of absinthe in front of his sitter clearly singles him out as an upper class dandy.

Georges de Feure was instrumental in the creation of the Art Nouveau style in France. A multi-talented, versatile and creative artist, his creations ranged from Symbolist paintings, lithographs and posters to Art Deco furniture, frames, carpets and glassware. He created ballets for Ravel and Debussy, designed theatrical costumes and stage sets and even constructed aeroplanes. (via)

(via thedelegatefromperu)

moosickles:

Honeysuckle, Eugene Grasset, 1896. Art Nouveau Movement.

moosickles:

HoneysuckleEugene Grasset, 1896. Art Nouveau Movement.

(via golden-trash)

About:

Art Nouveau, fin de siecle art

Following: